LEGENDARY King Crimson founder Robert Fripp (guitar), joins Theo Travis (alto flute and soprano sax) to perform live at All Saints Church, Falmouth, on Friday, October 29, and St Peter's Church, Newlyn, on Saturday, October 30, both at 7.30pm.

Following on from their successful CDs – Thread (2008) and Live at Coventry Cathedral (2010) – Travis and Fripp have developed a duo project especially conceived for resonant acoustic spaces.

Theo Travis, left, and Robert Fripp will play two concerts for the Shallal charity next week.

Crossing the divide between ambient electronica and experimental improvisation, they create an ethereal world of clusters, atmospheres and melodic beauty.

"Like two colourists sharing the canvas, they painstakingly blend their respective approaches into a result that is beautiful, delicate, sometimes wistful and occasionally forbidding," Jazzwise.

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Both concerts are in aid of local charity Shallal Dance Theatre, with its inclusive ethos celebrating diversity, ability and community – Robert Fripp is one of Shallal's patrons.

There is no entrance charge, but concertgoers are asked to donate generously in support of Shallal.

London-based saxophonist, flautist and composer Theo Travis has made nine solo albums. He tours regularly with his own jazz quartet and composes and records with his experimental ambient band Cipher. He is also a member of Soft Machine Legacy and Gong.

Additionally, Theo has performed and/or recorded with a diverse group of musicians including Harold Budd, David Sylvian, Bill Nelson, Porcupine Tree, Jah Wobble, Lol Coxhill, John Etheridge and Hatfield & the North.

Robert Fripp is a guitarist, composer and founding member of seminal rock band King Crimson with whom he continues to perform. He has issued a number of solo albums and collaborated and recorded with David Bowie, Brian Eno, Peter Gabriel, Daryl Hall, The Orb, Andy Summers, David Sylvian, and Tool.

He holds Guitar Craft classes in a number of countries, is regularly cited as a key influence by a number of guitarists and his writings on the record industry – particularly on the subject of creator rights, which have won widespread admiration from fellow musicians.